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| Tersia, Cheryl, Matthew |
The programme was compiled impeccably in
order to have variety and appeal. The musical scores came from well-known
composers like Beethoven, Rachmaninoff and Camille Saint Saens, and lesser-known
composers like Vittorio Monti and Piazollo. Interesting and alluring pieces by
such composers made us sit upright, listening attentively.
The poignant cello Sonata by Rachmaninoff,
the only one he has ever written, gave one goose bumps and was gripping. So was
the Second movement (Adagio) of Beethoven’s Trio the Gassenhauer – a highlight of
the entire evening.
Die musiek is deurgaans gekenmerk deur n
fyn balans van klank terwyl die tegniese
vaardigheid van die musikante opmerklik was in die vlugvoetige vingers van die
pianis, die ongelooflike asembeheer en perfekte note - laag en hoog – van die klarinetspeler en
die strelende suiwer klanke wat die
tjellis kon optower om of die onderbou-diepte te verskaf of om die leiding te
neem en te “sing”.
The feet of the audience were itching to
dance to the folk music played in Hungarian pubs wonderfully captured by the
king of the tango, Piazolla. One couldn’t help wishing to be able to dance the
tango! The audience was transported to Jewish folk music when three pieces of
the Klezmer collection were played. The audience stamped their feet and clapped
profusely to the infectious rhythms.
Throughout the evening the audience could
listen to music that was perfectly executed – some stirred ones heart strings,
whilst the others were rhythmical pieces making you feel wonderfully alive.
Die program is afgesluit op 'n hoe noot deur
die verwerkings van Joodse volksliedjies wat gewoonlik by troues gespeel
word. Die aangrypende lied vir die bruid
en bruidegom is opgevolg deur verskillende danse terwyl die sirkeldans, waaraan
die bruid en bruidegom deelneem, gesorg het vir die afsluiting van ‘n
meesterlik saamgestelde program.
Kom asseblief weer Trio Goede Hoop – dit
was ‘n belewenis duisend!
Esmarie
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